My production practice starts with a pattern, then on extends to performative wall paintings layered often with video art, experimental films, installations and video. My recent works consist of wall paintings I make in idle spaces that require great physical strength, using organic, simple and temporary material such as charcoal. My once fictional productions, through which I researched the current position of the archaic subject, have evolved over time into stream-of-consciousness and process-oriented, gestural patterns.