In my works, I focus on the inconspicuous spatial elements - the "transitional spaces" - of public and private spaces such as balconies, stairs, doors and windows. Such elements are the present-day areas of the desired placelessness, offering the possibility of being liberated from belonging and identity. In this context, as spatial experiences, these thresholds are "no place" and "every place" at the same time. Thus, they are reflected in my productions as micro-utopias with their potential to bring alternative propositions.