I value the simultaneous process over the finished product. Instead of being result-oriented, I perceive the painting surface as an area where I can take free action. Including the unprecedented interventions, I want every blemish on the surface to form a connection with the audience, rather than being a still object. I think every material has something to say and I listen carefully to what they say. In this way, I allow my work to shape itself, and from that point on, we become two subjects moving together.